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The Fojol Brothers of Merilindia food truck employees serve Indian food while donning turbans and playing Punjabi music. Photo courtesy of Dave Kleinschmidt under Creative Commons License

The Fojol Brothers food truck that brings turbaned employees and Punjabi music to H Street to serve up Thai, Ethiopian and Indian specialties is being called out for “brazenly insulting of others’ cultures.”

Change.org posted a petition Tuesday that garnered more than 400 signatures as of 3:42 p.m. to tell the food truck’s owner to “stop the brownface minstrel act,” citing employees’ stage names like “Dingo” and “Ababa Du.”

The petition follows “An Open Letter to the ‘Fojol’ Bro-dawgs” posted Friday on Facebook, blasting the truck for “brazenly insulting of others’ cultures.”

Drew Franklin, the author of the post, called the owners “a bunch of callous opportunists banking off the ever profitable enterprise that is Western Orientalism.”

One of the truck’s owners, Justin Vitarello, told The Huffington Post that Fojol Brothers will not change anything about their costumes or “Merlindian” personas.

“We’re not going to stop doing that, is what it comes down to,” Vitarello said. “The people and the market will tell whether they like this or not.”

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Ward 3 Councilwoman Mary Cheh released a set of joke budget items in a memo Monday. Hatchet File Photo

Ward 3 D.C. Council member Mary Cheh has a few ideas for the city’s budget before it sees a vote Tuesday.

Among Cheh’s proposals, released in a spoof memo Monday, is a $12 million rat sanctuary, named after herself, that would allow rodents to “live together in peace and without fear of being exterminated.”

She also called for a tracking system that would force individuals to wear “District-loyalty” ankle bracelets and a resident relocation fund that would subsidize disgruntled residents’ moves outside the city.

The council member floated ideas like adding Starbucks to government buildings in a similar spoof memo in 2010.

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The Red Hot Chili Peppers and indie band Sleigh Bells rocked a sold-out Verizon Center on Thursday. The D.C. tour was one of more than 100 shows across North America, Europe, Asia and Latin America promoting the Red Hot Chili Peppers’ new album, “I’m With You.”

The Red Hot Chili Peppers perform Thursday as a part of their 'I'm With You' world tour with opening band Sleigh Bells. The tour marked the band's first time on the road since they went on tour to promote their album 'Stadium Arcadium' in 2006. Ashley Lucas | Contributing Photo Editor

Sleigh Bells vocalist Alexis Krauss performs before the Red Hot Chili Peppers take to the stage. The band recently released their second album, 'Reign of Terror,' a follow up to their 2011 debut, 'Treats.' Ashley Lucas | Contributing Photo Editor

Guitarist Derek Edward Miller gets ready to perform. Miller and Krauss began performing as Sleigh Bells in 2008. Ashley Lucas | Contributing Photo Editor

Red Hot Chili Peppers lead vocalist Anthony Kiedis recently underwent surgery for several foot injuries, which delayed the tour. Ashley Lucas | Contributing Photo Editor

Rolling Stone Magazine readers voted bassist Michael Peter Balzary, stage name Flea, No. 2 among the 'Top Ten Bassists of All Time' in 2011. Ashley Lucas | Contributing Photo Editor

Drummer Chad Smith is also the drummer for Chickenfoot, a hard rock group comprising former Van Halen members Sammy Hagar and Michael Anthony, in addition to solo-artist Joe Satriani. Ashley Lucas | Contributing Photo Editor

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Image courtesy of Brew Crew DC

This weekend marks the end of final exams and the beginning of summer break, and that calls for only one thing – celebration.

In honor of school being out, Brew Crew DC is hosting its second annual bar crawl from 3 to 8 p.m. Friday.

Participants can receive drink specials at 14 bars in Foggy Bottom and the West End, including FoBoGro, Froggy Bottom Pub, Tonic at Quigley’s, Madhatter and The Guards Restaurant.

You can register at FoBoGro or Café Citron, near Dupont Circle.

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Students who stole the hands of the clock tower on Georgetown University's iconic Healy Hall are asking for the school's five-month-old bulldog in return. Photo courtesy of Patrickneil under Creative Commons License

After the hands of the clock that sits atop Georgetown University’s Healy Hall went missing last week, the supposed thieves are demanding a trade.

The proposed swap? Hands for paws.

The price for the safe return of the clock hands is Georgetown’s mascot-in-training, a five-month-old bulldog, according to a poem posted Thursday to CollegeCraig.com, signed by “Reaper, Goliath and Juliet” – the capers’ pseudonyms.

“We’ll give you a ‘hand’ if you’re willing to trade
/ for a campus celebrity who has recently made
/ quite the build up for just a little pup,” the poem read.

The bulldog – named Jack Jr. – came to Georgetown last month, prepping to take over as the Hoyas’ sixth mascot after Jack the Bulldog injured his left leg.

The Georgetown campus was abuzz last week after the clock hands were taken April 30. The university is investigating who stole the clock hands, according to the student newspaper The Hoya.

Reaper, Goliath and Juliet had also e-mailed Georgetown’s student magazine The Voice on Wednesday claiming to send the clock hands “to Vatican City to receive the blessing of Pope Benedict XVI.”

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Monday, April 30, 2012 9:16 a.m.

It’s Monday…

Kennedy Center

The Kennedy Center. Hatchet File Photo

Music, literature and politics converge this week, so engage your intellectual side at these events.

  • Youth musicians from across the country will perform vocal and instrumental repertoires at this year’s Washington DC International Music Festival at the Kennedy Center Concert Hall. Tickets for Monday’s 7:30 p.m. show can be purchased for $30.
  • See New York Times columnist Paul Krugman at Politics and Prose at a book signing event Wednesday. Krugman will discuss his novel “End This Depression Now!” The free 7 p.m. event is open to the public.

Also, watch the commander in chief show off his funny side at Saturday night’s White House Correspondents Dinner.

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Monday, April 30, 2012 1:18 a.m.

Photos: Capital Funk lights up Lisner stage

Capital Funk performed Sunday during the group’s fifth annual hip-hop showcase Funk Academy. Dance crews, spoken word artists, rappers and singers from the community and the D.C. Metro area lit up the Lisner Auditorium stage during the high-energy showcase.

Members of Capital Funk elicit cheers from the audience with their energetic choreography and synchronized dance moves. Zachary Krahmer | Hatchet Staff Photographer

Capital Funk performed in front of a crowded Lisner audience, having earlier sold out pre-sale tickets. Zachary Krahmer | Hatchet Staff Photographer

Capital Funk performed three times during the evening, while other dance teams and hip hop performers showcased their talents in between. Zachary Krahmer | Hatchet Staff Photographer

Members of the dance group put months of preparation and practice into the making of the showcase. Zachary Krahmer | Hatchet Staff Photographer

Showcase director and alumnus James Bayot congratulates a fellow dancer following the end of one of Capital Funk's performances. Zachary Krahmer | Hatchet Staff Photographer

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Avicii performed at Inox Park Paris Chatou 2011. Photo by Jalil Arfaoui used under Creative Commons.

Saturday’s Sweetlife Festival was as much about the music for fans as it was about face-painting, food-truck tastings and unusual photo ops.

In its second year at Merriweather Post Pavilion, the festival created by the founders of Sweetgreen featured two stages and 20 scheduled performers, with D.J.’s keeping the music flowing in between each band performance.

D.C.’s food trucks, including The Big Cheese, Jose Andres’ new truck Pepe, a Shake Shack tent and Pleasant Pops, parked along the festival’s back perimeter. Fans flocked the trucks, forming long lines for food and tents for beer and mixed drinks.

Fun., an indie pop-rock band that sold out its two upcoming performances at the 9:30 Club, took to the main stage to start the show. The crowd was subdued during their performance, the first to hit the stage, singing softly until the band began playing its hit single “We Are Young,” prompting singing, dancing and shouting.

The afternoon brought an energetic performance by the group LP and a more mellow set from The Shins. As the sun set, rain fell, forcing concert-goers to seek cover under the massive pavilion with many pushing to get into the pit to see the next act, Kid Cudi.

The rapper played old crowd favorites from his debut 2009 album “Man on the Moon: The End of Day” including “Soundtrack 2 My Life,” “Pursuit of Happiness” and “Up, Up and Away.”

Fans took advantage of a lengthy intermission to push into the main stage center pit. Swedish DJ Avicii took the stage with colorful flashing lights and a giant turntable set-up as flashes of smoke added a palpable excitement to his more than hour-long set.

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Sunday, April 29, 2012 2:56 p.m.

Just Joshin’

A look at the world through my eyes. Well, just part of the world.

Josh Perlman

Josh Perlman. Hatchet File Photo

I’ve never been the most up to date with modern technology. I was still playing my PlayStation while all my friends were enjoying their nifty little GameCubes and Xboxes.

But lately I’ve been feeling a bit left out of this strange phenomenon of the smartphone.

I was one of the last of my friends to get a cell phone back in middle school, and I’ve continued to feel perpetually behind the times when it comes to my mobile devices.

My first phone was a black Pay As You Go phone. My parents thought having me pay for every individual minute I spent talking to someone was a good way to teach me responsibility. What they didn’t know about was the social stigma that came with the pathetic excuse for communication.

I quickly earned a reputation as the only member of my family not included in my family plan, and my inappropriately loud Jimmy Eat World ringtone drew attention to the fact that I was one of few people in my grade who still hadn’t bought the RAZR.

I was beyond excited when that phone died from natural causes – my hands – and could only hope the replacement would put me more on par with the rest of society.

The replacement was worse. It was called The Oyster for the sole reason that it was white and oval-shaped. It was designed to look like a crustacean but ended up looking like a deformed egg.

This pansy-ass device stuck with me until I was 16 years old, at which point my parents promoted me to a slider with light-up buttons. I was overjoyed. Within a week or two, I had filled the phone’s camera to capacity with pictures of myself holding up peace signs.

I kept that baby through October of my freshman year of college. When I was due for an upgrade, I went with my mom to the store feeling nervous about my fate. I had a selection of free phones to choose from, the best of which was a slender, touch-screen called the Laser.

I was immediately attracted to its sleek and shiny appearance, not to mention the badass name. Most of all, I was thrilled that my new phone had access to the Internet. It may not have been an iPhone or a Blackberry, but it had most of the same capabilities.

Of course, my dad warned me I had to pay for every second I spent on the Internet and should avoid using this feature. My first Friday night out with the phone, I had three too many margaritas and spent two and a half minutes online making Facebook statuses like “How do you solve a problem like Maria?”

My dad called the phone company the next day and deactivated my Internet access.

But as the years go on, I realize that it doesn’t matter if I don’t have the next best piece of technology. My Laser and I have had some great times together, and I wouldn’t change that for the world.

And even though I can’t use FaceTime or BBM, I’m grateful for my phone because it’s kept me humble. Plus, I can drop it on the ground and it’s not a big deal at all.

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Sophomores Nico Vivaldi and Yash Jain play with squirt guns at Friday's Engineers Without Borders event. Photo courtesy of Rhiannon Scanlon

This post was written by Hatchet reporter Laurie Goodman.

When it comes to solving the global issue of sustainable development, a knowledge of math, science and engineering sure helps. But a big appetite doesn’t hurt either.

Students in GW Engineers Without Borders assembled Friday in Kogan Plaza to host an all-you-can-eat event as a fundraiser for the organization’s emerging El Salvador aid program. The program aims to service underprivileged communities by providing them with infrastructural and developmental advancements.

The event helped finance the organization’s five-year initiative to aid communities in the small village of La Peña, El Salvador, where student members traveled during spring break. During the trip, six Engineers Without Borders students and two professional engineer mentors installed two latrines in the village to combat the community’s lacking waste management infrastructure.

Funds raised Friday will contribute to a week-long visit to La Peña in January.

“The families live in the village of La Peña, which is at the very top of a mountain,” Elizabeth Hubler, president of GW Engineers Without Borders, said. “Seventeen of the 33 families have no bathroom facilities, which has been polluting crops and other surrounding villages.”

The organization has been working over the past year to establish a relationship with the La Peña community, hoping to eventually complete a water project within the village.

“The students and professional mentors were completely immersed in the lives of those living in the village,” Hubler said. “They are some of the nicest and most genuine people you will ever meet.”

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