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Media Credit: Photo courtesy of Plumsucker

Media Credit: Photo courtesy of Plumsucker

This post was written by Hatchet Reporter Marielle Mondon.

For the members of student group Plumsucker, which performed a lively set of “experimental blues rock” last night at the Wonderland Ballroom, forming a band has been a defining collegiate experience.

“It’s a nice way to put your heart into something, because I never had anything (like this before),” said junior José Ginarte, who plays drums and is a former Hatchet photograher. “I could basically run off a list of things I was doing at GW before this. I was on rugby, I had a senate internship…this gives me something to focus my creative energy on.”

Ginarte and junior Andrew McInerney, who sings lead and plays guitar, said that creating Plumsucker last March was an outlet not only to perform original compositions, but to connect with someone who had common interests.

“I had sort of been harboring this desire to be a musician since I was in high school, but even then I had never hit it off with a kid who had the same musical tastes as me,” Ginarte said.

Ginarte and McInerney both find it difficult to define their sound, though they cite influences from bands like Radiohead and Cap’n Jazz, a Chicago punk group from the 1990s. Their guitar style and heavy drumming, however, also draw comparisons to classic rock bands like Led Zeppelin and Queen, while maintaining a modern edge present in more contemporary progressive bands.

Being in college while performing presents a new set of obstacles for Plumsucker, beyond defining their sound.

“It’s impossible to find a place to rehearse,” McInerney said. “We practice in our dorm and play for our friends, but that’s only until UPD shuts us down. We’re like refugees.”

Though neither students is a music major, both admit to hopes of continuing to perform after graduation, though there is talk of law school and similar post-graduate studies.

“Don’t tell my dad I want to study music,” Ginarte said.

Despite the responsibilities that come just from being a student, Plumsucker enjoys their additional work.

“It’s a nice little twist to your college life,” Ginarte said, “to do gigs with your band then put on a tie and go to your internship.”

Be sure to catch Plumsucker on Friday, when they will perform with TNTrio at Tonic.

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Wednesday, Oct. 14, 2009 5:04 p.m.

Cuban music featured in weekend festival

This post was written by Hatchet Reporter Lizzie Hay

University Yard transformed into a Cuban oasis during the first annual GW Cuban Music Festival, on Saturday. The event, hosted by Students for a Free Cuba, had entertainment and food to get students immersed in the rich culture of the tiny Caribbean island. 

Rudy Mayor, president of Students for a Free Cuba, said that the group began planning the festival last spring. The event aimed to “educate the public about the political situation in Cuba” through the use of traditional Cuban culture, said Mayor.

Brittney Morrett, vice president of the student group, said that University Yard was the perfect location for the festival.

“We were looking to book spaces in D.C. that were family friendly and would provide a space for a cultural exchange,” she said.

Music played a big role during the event, with several groups making appearances throughout the day. The Spam Allstars, a Cuban jazz group, played a set, as well as rapper mikiflow. Other acts like Delexilio combined funk, rock and Latin musical styles to create a uniquely Cuban sound.

Mayor said the festival was a success, and hopes that it becomes a permanent fixture on the group’s events calendar.

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Sophomore Alyssa Hart plays guitar Sunday at WRGW's Student Showcase. Photo by Kenrda Poole.

Sophomore Alyssa Hart plays guitar Sunday at WRGW's student showcase. Photo by Kendra Poole.

This post was written by Hatchet Reporter Kendra Poole.

While GW’s music scene often takes a backseat to interest in politics or international affairs, WRGW’s first-ever student showcase this weekend proved that there is no shortage of talented musicians on campus.

Student musicians and listeners  gathered in University Yard Sunday afternoon to celebrate WRGW’s 80th anniversary and kick off the radio station’s Octoberfest.

“[WRGW is] just trying to get as many people on campus as they can to come perform together, since there’s not really a venue for [student musicians],” said sophomore Alyssa Hart, who sang and played guitar and harmonica for the show.

Radio host and senior Greg Shapiro coordinated the event, hoping that it would promote both the station and student musicians.

“I figured [the showcase] would be a good time…as well as a good way to get kids out here to play music and see a different side of GW than you would normally see,” Shapiro said. Read more…

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Tuesday, Aug. 4, 2009 1:39 p.m.

Bottles/Cans album release

Recording a debut album while holding a full-time job is no easy feat, unless you’re GW-bred band Bottles/Cans.

Photo courtesy of Bottles/Cans

Photo courtesy of Bottles/Cans

“We were surprised at how quickly we tracked the songs,” said drummer Brendan Polmer, who works for CNN and wrote for The Hatchet, in an interview. “The whole album took about two weeks to make.”

Bottles/Cans has been playing together since college, and both Polmer and bassist Zach Pentel said that recording an album had been the group’s eventual goal; it was just a matter of finding the place, and the money, to do it. Funding largely came from the band’s biggest gig to date: opening for N.E.R.D. at Emory University. The Bastille, part of the Inner Ear Studio in Arlington, proved to be the ideal spot to record.

Pentel, a graduate student, said that making the album was completely worth the hectic schedule.

“We’d been waiting for this for so long, we didn’t mind the personal sacrifices,” he said.

The album, “Only, Please”, is a mix of freshly written songs and old band favorites. Pentel said that the group aimed to capture the essence of their live shows, rather than make just another slickly produced album.

“We wanted it to sound live, like you put a mic in the middle of the room,” he said.

Tracks like “Dodge” and “Tabitha” embody the band’s loose-and-rowdy rock sound. Singer/guitarist Kevin Eskowitz (not present at the interview) tears into the vocals with refreshing intensity, and Pentel and Polmer provide a solid backing track for both songs. Pentel’s nimble bass line on “Tabitha” is particularly good.

For now, Bottles/Cans is focused on “conquering D.C.” and promoting “Only, Please.” The group is hosting an album release party on Aug. 6 at the Rock and Roll Hotel; they’ll be playing with Kill Lincoln, a “high energy” ska-punk band.

Still, the band isn’t planning a grand bid for stardom; they have jobs, after all.

“We have to hedge our bets a little,” Pentel said. “We’re trying to live in the now, but we’re starting new things and we all have lives. We have no aspirations to tour for Fall Out Boy or anything.”

“Only, Please” will be available on iTunes Aug. 10, but here are some sample tracks:

Dodge

Tabitha

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Monday, June 29, 2009 12:58 p.m.

Wheat at DC9

For a band that has eight albums and more than a decade’s worth of experience, Wheat doesn’t seem to take itself too seriously.

“We never have been, and still aren’t, good at the whole professionalism side,” said Brendan Harney, who formed the band with Scott Levesque in 1996. “We’re just not good at putting our name out there.” Even Wheat’s big break was of the result of a loyal fan’s intervention. The fan sent the band’s demo tape - really just a cassette tape that had four Wheat tracks on it and four tracks “of some random metal band,” according to Harney – to a friend at Sugar Free Records.

“[The label] happened to like our songs better,” said Harney.

But Wheat’s aversion to self-promotion is just a side effect of their artistic sensibilities.

“We’ve never been in love with the music business,” Levesque said. “We like creating versus performing.” The group doesn’t tour consistently, and both Harney and Levesque consider themselves “homebodies.” Both are more at home in the studio than on a stage.

Still, Wheat plays a tight live show. At DC9 on Friday night (a stop on a summer tour with The XYZ Affair), the band showed off their musical chops with tracks from their upcoming album, “White Ink, Black Ink.” Songs like “El Sincero” demonstrate Wheat’s experiments with electronic music, while “Little White Dove” and other older songs play up their straight indie rock roots. Their stage presence, as well as their sound, is a little Flaming Lips-esque. Harney’s keyboard was decked out with plastic googly eyes, and drummer Luke Hebert sported a pair of bunny ears throughout the set.

Although Wheat is supported by a constantly rotating cast of musicians (Hebert also played bass on “White Ink, Black Ink”), Levesque and Harney are the core of the group.

“We’re more flexible muscially, because there’s less of us,” Levesque said.  Both he and Harney are comfortable with singing and playing a variety of instruments, such as piano.

After the release of “White Ink, Black Ink” in July, Harney and Levesque plan to keep doing what has always worked for them.

“The goal is make another record, to try and stay where we are now,” Harney said. “As long as the music is reaching someone, we’re happy. That’s what’s important.”

You can pre-order Wheat’s new album here.

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Thursday, April 23, 2009 6:06 p.m.

The District is soaking wet

Hatchet reporter Ben Doak recently spoke with Ari Stern, Evan Brody, Sawyer Carter Jacobs and Mike Mimoun – the gents behind the District’s recent incendiary sound-soaked incarnation, Underwater Peoples Records.

The men had a few good things to say about technology, selling Cutco knives and defending the suburbs. With mentions on the likes of Pitchfork and Stereogum, it’s safe to say they’re doing alright for themselves.

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Canadian singer, songwriter and author Leonard Cohen recently announced a slew of North American tour dates. See the Prophet Cohen at Merriweather Post Pavilion, May 11. Want tickets? Pay hundreds of dollars!

4/2 Michael and Susan Dell Hall at Long Center Austin, TX
4/3 NOKIA Theatre at Grand Prairie Grand Prairie, TX
4/5 Dodge Theatre Phoenix, AZ
4/7 Copley Symphony Hall San Diego, CA
4/10 NOKIA Theatre L.A. LIVE Los Angeles, CA
4/13 Paramount Theatre of the Arts Oakland, CA
4/17 Coachella Valley Music & Arts Festival Indio, CA
4/19 General Motors Place Vancouver, BC
4/21 Save-On-Foods Memorial Centre Victoria, BC
4/23 WaMu Theater at Qwest Field Events Center Seattle, WA
4/25 Rexall Place Edmonton, AB
4/26 EPCOR Centre’s Jack Singer Hall Calgary, AB
4/28 Credit Union Centre Saskatoon, SK
4/30 MTS Centre Winnipeg, MB
5/03 Orpheum Theatre Minneapolis, MN
5/05 The Chicago Theatre Chicago, IL
5/09 Fox Theatre Detroit, MI
5/11 Merriweather Post Pavilion Columbia, MD
5/12 Academy of Music Philadelphia, PA
5/14 Palace Theater Waterbury, CT
5/16 Radio City Music Hall New York, NY
5/19 Copps Coliseum Hamilton, ON
5/21 Pavillon de la Jeunesse Quebec City, QC
5/22 K-Rock Centre Kingston, ON
5/24 John Labatt Centre London, ON
5/25 National Arts Centre – Southam Hall Ottawa, ON
5/29 Wang Theatre Boston, MA
6/02 Red Rocks Amphitheatre Morrison, CO

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What do Frank Rich, Maureen Dowd and Quincy Jones have in common?

A commitment to telling it straight via the newspaper column, America!

Music legend and all around ladies man Quincy Jones is now a guest columnist for Tribune papers, Reuters reported today. Jones will join Bono in offering his thoughts on culture at large in the Tribune’s effort to save an ailing industry.

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1. Funk 4 Peace, 8 p.m., @ Modern
Bask in what made you fall in love with hip hop to begin with: The unashamed articulation of what’s actually going on, as told to the powers-that-be. Featuring hip hop legend Afrika Bambaataa and D.C.-based funk collective Fort Knox Five.

2. Nappy Roots, 9 p.m., @ DC9
Get an authentic taste of the Southern group’s take on an inaugural celebration.

3. Art of Change, 8 p.m., @ Warehouse Theatre
D.C. art folk love causes. Obviously.

4. Rock the Vote, 8 p.m., @ 9:30 Club
Featuring Talib Kweli, Grace Potter, the Dresden Dolls. And politically-minded moments engaging with the audience between songs about the audacity of hope.

5. The People’s Inaugural Ball, 8 p.m., Rock and Roll Hotel
Music for the people!

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Hip hop legend Jay-z will take the stage of the Warner Theatre at 8 p.m. tonight. Tickets are priced up to $500.

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